Are you building the art career you actually want, or the one that simply feels safest?
Lately, I've been thinking about how many artists unknowingly limit their income by limiting the types of opportunities they're willing to pursue.
Using examples from both the art world and beyond, I'll explore the difference between low-ticket, high-volume work and higher-value services that require more skill, confidence, and commitment. We'll talk about pricing, fear of failure, imposter syndrome, and why learning the hard thing is often what leads to the biggest rewards.
If you're ready to think bigger about what's possible for your art business, this perspective might be exactly the push you need.
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